Seaman‘s 2016 horror movie The Barn (from Terror Films), a retro throwback horror movie that took you back to 1989. We’ll just be here waiting patiently for 2030/2035. I think the takeaway here is that Boyle sounds committed to (eventually) bringing the trilogy to an end one way or another. Although, Garland has been on fire lately, so the idea that he’s going to buckle down to finish writing another 28 Days Later is proper insane. Boyle could have easily said the project is never happening, but insisted that there’s a good idea that he and Garland have been developing. It’s been four years since the last time there’s been talk. He added: “It’s more likely to be 28 Months than 28 Years. There’s a whole bunch of reasons why it’s complicated, which are boring so I won’t go into, but there’s a possibility.” Danny and Andrew and I have been having quite serious conversations about it so it is a possibility. In 2015, Garland told IGN that they had “just started talking about it seriously.” He’s concentrating on directing his own work at the moment, so it’s stood in abeyance really, but it’s a you-never-know.” He continued: “The original film led to a bit of a resurgence in the zombie drama and it doesn’t reference any of that. “Alex Garland and I have a wonderful idea for the third part,” he told the site. Now, Boyle is reviving chatter in a new interview with The Independent where he revealed that he’s still working on the sequel with Ex Machina filmmaker Alex Garland, who wrote the 2002 original. Set to be called 28 Months/Years Later, the project has been defunct for quite some time. While the filmmaker wouldn’t return for the sequel, he is involved with the long-gestating third film four years ago, Boyle said he’d be interested in returning to the director’s chair. It's no coincidence that the popularity of both 28 films went up during the pandemic these characters are relatable, and though the circumstances of the real-world struggle were very different, the proximity of their fear and anxiety to the audience's own feelings is closer than it's ever been.It’s already been 12 years since Fox Atomic released 28 Weeks Later, the hotly anticipated follow-up to Danny Boyle‘s 28 Days Later. The siblings' dynamic is that of two people who have lost everyone they care about and now rely on each other and a new family of fellow survivors, each of them damaged in their own way by this fresh outbreak. There are sacrifices made to save the children as the group moves through a city in flames. Quieting down from the violence, the characters are allowed to breathe, and the themes of the film are given room to stretch. The silence is eerie, hanging over the place as the intense music falls into a piano motif.Ģ8 Weeks Later's scope narrows from the plight and death of tens of thousands to the core team in the aftermath of the courtyard massacre, as Doyle meets up with Scarlet and the siblings, escorting them through the city toward Wembley Stadium, where a radio transmission claims evacuation for civilians is imminent. By the conclusion of what feels like an endless and gory shooting gallery, there are dozens of corpses laying in the courtyard, draped across the ineffective barricades and each other. Other troops become involved, firing heavy machine guns into the fray. Their actions are intercut with quick cuts to the carnage below them. Doyle's fellow soldiers don't hesitate, firing indiscriminately into the crowd, though he can't bring himself to join them. There are brief protests and moments of hesitation before the troops begin firing their weapons, intercut with brief shots of the crowd. One of 28 Weeks Later's most important and horrifying moments involves Doyle and his fellow snipers being ordered to fire on a crowd of civilians in a courtyard below, some of them infected as the outbreak begins to spread further. Returning from the first movie, the harsh sounds of his compositions fit perfectly with the sharp reports of gunfire and the cries of the infected and survivors. This tension is reinforced by the film's score, composed by frequent Guy Ritchie collaborator John Murphy. These factors, as well as the human drama of the survivors bonding together, help keep the movie from becoming a more rote tale of survival in a familiar apocalyptic scenario. The tension is enhanced if one has seen the first film these viewers will know the power of the Rage Virus, the speed with which it takes effect and the absolute chaos that erupted from its initial spread. There are a handful of jumpscares in these earlier sequences, and the frantic editing of the action scenes helps the later moments feel more natural.
0 Comments
Leave a Reply. |